This sculpture of a faceless male head is inspired by the many defacing practices encountered in various iconoclastic movements. The faceless part was in fact the actual rough stone. Leaving this intact, the rest has been carved around it.
2022 – Sculpture Triennale, Gallery Campo & Campo, Antwerp, Belgium.
2018 – Offerings, National Museum of Fine Arts, Havana, Cuba.
2017 – Disclosing the Uncanny, Kristin Hjellegjerde Gallery, London, UK.
2016 – The Mall Galleries, London, UK.
2016 – Athar Jaber: Works, Galerie Löhrl, Mönchengladbach, Germany.
2015 – Where Pain Becomes Beauty, Palazzo Medici-Riccardi, Florence, Italy.